For How Much Longer?

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 It’s a cool damp morning framed by bleating sheep and the smell of bracken. Plodding up the hillside I am looking for boot-marks in the boggy ground amongst the white flags of cotton grass. They should have gone this way a couple of hours before me.

Cresting the ridge the wind spits rain into my face, making my eyes water. I am relieved I had the good sense to put on plenty of layers, which didn’t really seem necessary when I left home. The cloud is lifting, thank goodness, so I am able to scan the huge expanse of moorland and bog spread out in front of me. I can’t see any sheep, or people, which is a bit worrying. I have come up here to watch one of my neighbours ‘gather’ the sheep from his mountain-land and take them down to the farm for shearing. He should be ahead of me somewhere. Eventually I spot some sheep on the drier ground about a mile away and, encouragingly, a few are in single file heading slowly downhill.

Gradually the sheep coalesce into lines, like milk trickling slowly into the bowl of dead ground behind the ridge to my right – then the place is empty again. Sitting in the heather, idly eating bilberries, I watch a kestrel slide out over the great expanse of bog, which is being swept by weak patches of sunlight. You might think this remote, wind-torn landscape is untouched, the very essence of wildness, but sheep have been sculpting it for hundreds of years. As the writer Roger Deakin put it so aptly “they keep the contours… clear, sharp and well defined, like balding picture-restorers constantly at work on every detail.” On a nearby crag I can see a single yellow flower of goldenrod clinging to the one place the sheep can’t reach; a whisper of what might be if the incessant nibbling were to cease.

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After about an hour the sheep still haven’t reappeared so I begin retracing my steps in case they have got round behind me. Sure enough, a long line of ewes and lambs are snaking slowly across the hillside below me and bottlenecking at a gate. Up to my left a man with two dogs is slowly descending the hillside, whistling to the sheep, urging them forward. There is a cacophony of bleating as the ewes try to stay in touch with their lambs in the jostle. At the gate I meet my neighbour with his brother and grown-up son, plus eight sheep dogs. He explains to me that they have been taking it slowly, “if you don’t hurry them you will get the job done quicker in the end” – because the ewes are less likely to lose their lambs and go looking for them. These sheep are following a path of their own making over many generations and the men are in their grandfathers’ footsteps. These are the only paths here, ground into the hillside by the feet of countless sheep and attendant boots. Although the men have been walking for hours over rough terrain they are still moving easily, almost strolling through the bracken and across bogs. In full waterproofs and wellingtons (but bareheaded, surprisingly) they have the casual ease of people in their element. They have known sheep farming since they were boys and their expertise is palpable.

It is the continuity, the steadiness through time that strikes me. In a febrile week of politics following the Brexit vote, when our world seems in turmoil, it is reassuring to walk with these men following traditional rhythms and routes. Yet even here politics colour perception: no hill-farmer can stay in business these days without EU subsidies. For how much longer will sheep and men follow these paths at the edges of British agriculture?

 

 

Not Just a Load of Old Lentils

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photo: Elen Elias

 Rounding the bend in the road we let out a collective ‘WOW’ for spread out below us was a view as beautiful as it was desolate. It looked more like Tibet than central Italy. Ringed by the snow-streaked mountains of the Sibillini National Park was a dead-flat high altitude plain known as the Piano Grande. Apart from some high level patches of beech forest, whose tender new leaves had been scorched brown by a late frost, there was not a bush or tree in sight. Standing there in the cool mountain air this place seemed empty and forgotten.

Motoring down into the valley two things were immediately striking: its flatness and the chirping of thousands of crickets. The plain was once a glacial lake which has left behind a soft alluvial soil, and the crickets, whose burrows were everywhere, were confined to it like frogs to a pond. This deep soil is highly fertile and for many years farmers have grown lentils here, which are famous in Umbria and named after the village at the far end of the valley – lenticchie di Castellucio. No artificial fertilisers or herbicides are used in their cultivation; whether by preference or regulation, I am not sure. This, plus the limey soil and mountain climate produces a fabulous display of wild flowers, which bloom in the fallow and harvested areas, as well amongst the crops. It was these that had brought us here.

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From afar the plain appeared only green with some distant bands of yellow but as we walked out on to it the flowers were all around our feet. On the drier ground were countless grape hyacinths, yellow and purple mountain pansies and deep blue gentians. Further out, where it was wetter, thousands of white narcissi mixed with yellow tulips, whose pointed petals were tipped with orange. Scattered amongst them were deep purple green-winged orchids. Standing in this sea of flowers, ringed by mountains with skylarks pouring out their song overhead felt like a version of heaven. Later in the short season this plain will be washed with deep reds and blues from the next round of flowers to be painted onto the valley floor. It is a rare thing to witness such wild profusion.

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On the valley sides we could see two flocks of sheep being moved slowly forward by shepherds and their dogs. It seems remarkable that in twenty-first century Western Europe there are still shepherds following their flocks in that age old biblical way. The sheep were gradually converging on a narrow valley where a thoroughly modern solution to sustaining the ancient system of transhumance (moving to the mountains for seasonal grazing) was arranged: a section of hillside was enclosed by an electric fence to pen the sheep at night, two modern caravans for the shepherds and 4×4 vehicles to tow them completed a set-up that could easily be moved to another part of the valley for fresh grazing. I was particularly interested to see the dozen large Maremma dogs at the camp, as this breed, indigenous to central Italy, is kept to defend the flock at night from the attacks of wolves. The wolf population in Italy, as in many areas of Europe, has been increasing in recent years.

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The hilltop village of Castellucio at the other end of the valley had a distinctly end-of-the-line, frontier feeling. Framed against the bare mountains the ancient buildings and tourist shacks looked more like Nepal than Western Europe. Local people told us they have 10 months of winter here; it had snowed two nights previously. The picturesque village, with narrow winding streets climbing up to the church has only eight remaining permanent residents, and some of those are here for obscure tax reasons apparently. The rest of the houses are holiday homes mostly used in the short summer season.

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The Piano Grande seems a vivid example of our ever changing relationship with the land: rural depopulation as people leave for the towns, an increase in wolves as livestock farming declines, trekking and wildflowers as seasonal tourist attractions. I wonder how much longer sheep will be brought up here for the summer grazing? If that should stop perhaps spontaneous reforestation of the mountainsides will be next, and bears will follow.

 

 

Toads in a Hole

 

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 Even in the spring sunshine this quarry gives me the creeps. A huge hole in the ground, its hacked-out walls still bare and dripping a hundred years on.

The sun is hot on my back for the first time this year; I feel overdressed in my winter gear. A peacock butterfly flits away from my casting shadow as I follow the rough path down to the bottom. A faint whiff of coconut from the flowering gorse is a comfort. With frightening suddenness a military jet roars low overhead and the noise, amplified in the bowl of the quarry, has me cowering and covering my ears.

Under a dripping overhang the height of a parish church, a five-foot high, black-mouthed tunnel disappears into the hillside – God knows where too. I try to imagine dragging slate out of that forbidding hole day after day. Somebody has been burning plastic rubbish near the entrance. The quarrymen wouldn’t have known what plastic was. A wren belting out his song from a sallow bush is pumped up to Pavarotti volume in here – which no doubt pleases him.

Amongst the bushes is a shallow pool that has all the charm of a large puddle on a construction site. Graffiti scratched by bored teenagers or besotted lovers decorates the slate blocks littered around it. The bottom of the pool is strewn with slate debris covered in algal slime. Nothing else grows there. Several pale brown newts wriggle away to hide under stones, as if shunning the light. I am puzzled by four perfectly synchronised brown marks twitching across the underwater rubble. Eventually it dawns on me that they are the shadows of depressions in the water’s surface made by a pond skater’s feet. These insects truly can walk on water.

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In the water on the far side of the pool I find what brought me here: toads, dozens of them. Some are scrabbling for an amorous grip on overwhelmed females. Others are hanging motionless in the water, as if caught in amber for a thousand years. They seem oblivious of my presence. Lines of spawn criss-cross amongst them, like tape spelling out their DNA code. There are dead and half-dead ones drifting amongst them. Why do they come back to this God forsaken place each year to spawn? Yet somehow they match the quarry in their cold-bloodedness; mindless and blind to everything except reproduction in this hole in the ground. It is like some post-apocalyptic glimpse of what life might look like after we have gone.

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Nature in its Place

 

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Although the wind is sharp the sun warms my face and there is a sprinkling of blossom on the ancient plum trees. The bank in front of me is bright with celandines and clumps of primroses. It looks like spring, although it doesn’t yet feel like it.

I am on a regular visit to a Victorian country house and estate near Brecon, now used as a retreat centre amongst other things. Recently the grounds have been ‘taken in hand’ and there has been a good deal of tidying up. Over the winter the tall hedge along the drive has been cut down. I remember the holly blue butterflies and hoards of other insects that fed on the ivy flowers last autumn, and the pink tinged hawthorn blossom in the spring. Perhaps they thought it looked untidy. The drifts of planted daffodils swaying along the side of the drive would gladden any heart but in a week or two they will be gone, replaced by mown grass for the other ten months of the year. The mowing here now extends to acres, having recently taken in some rough grassland rich in wild flowers and insects. These enormous lawns set the house off in a kind of stately monotony, which the management must find attractive.

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Walking back towards the house I can hear a little grebe on the lake trilling melodramatically, as if in fear of its life. A pair of ravens are rolling and flipping over the tall trees above the drive – probably they are nesting there. Right in the top of a sycamore a chiffchaff is belting out its repetitive song. I heard the first one only two days ago and already the sound is fading from my attention back into the general soundscape. It does seem extraordinary that this little bird, whose weight would barely register in the palm of my hand, may have just flown 3000 miles from Senegal, or some other West African country. I doubt I could walk the 10 miles from here to Brecon.

This estate is, in many ways, rich in wildlife. It has the largest breeding colony of lesser horseshoe bats in Britain, there are otters on the river – I once saw one run across the lawn here. Sand martins nest in the riverbank and last autumn I saw hornets feeding on sap running down an old oak, they are an uncommon sight in Wales. I have also found the beautiful pink waxcap fungi – in the mown grass.

Beyond the house I come to a 500 year old sweet chestnut tree that I pay homage too each time I visit. All gnarls and goitres it emanates accumulated history. It was already here when Shakespeare was writing A Midsummer Night’s Dream. As a non-native species it was probably planted, no doubt by somebody of ‘wealth and taste’, long before the present mansion was built. If only that had half the elegance of this old tree. I notice there has been some careful pruning; this tree, along with other veterans here, is being carefully looked after.

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Later in the afternoon I find myself tutting over some of the estate’s ‘derelict’ woodland: close spindly trees with a rampant understory of laurel and rhododendron. From there I go poking about amongst the crumbling buildings of the Home farm. Perversely I find this dereliction attractive and take photographs of a broken door and an old water wheel. There is also an enormous walled garden, except that it is now just a wall, enclosing the same field inside and out.

All of this got me thinking about how we like things to look a certain way. Most of my own concerns, based on values of naturalness and native species, would probably go unnoticed by the majority of people. Many will delight in the gracious lawns and banks of swaying daffodils. It seems we prefer nature tamed or even excluded around our houses and public spaces. Much of my own garden is given over to nature but I can’t quite bring myself to leave sections of the boundary hedge untrimmed for the benefit of birds and insects. It just looks too untidy! So I have some understanding for the managers of this estate.

Tidying up invariably leads to a subtle impoverishment of living organisms, most of them too small to get noticed. Variety is essential to any ecosystem. Without it the web of life gets hollowed out until, like the walled garden, it is little more than a ghost of what was originally there. Could we allow a little more tangle, rough grass and thicket in our private and public spaces? Such habitats are now in surprisingly short supply in the countryside.

As I leave a van from a pest control firm has pulled over on the side of the drive. A grim faced man is standing over a solitary molehill in a wide expanse of mown grass. It seems this small pile of brown earth is not acceptable and the mole will have to be destroyed. And this is in an establishment which is strictly vegetarian, where you may not even bring a hen’s egg onto the premises. It seems we will go a long way to achieve what ‘looks nice’.

 

 

The Green Fuse

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This wood has fascinated me for a long time. It seems mysterious and outside of time, as if no one has ever set foot in it.

 

Today I am sitting near the top of the wood at about 1000 feet with my back to a small cliff, in a kind of ‘cwtch’ in the rocks, so they fit round me keeping off the worst of the cold wind. Probably people and animals have sheltered here for centuries. Fallen bracken, the colour of dried tobacco, is folded over some of the rocks below me; dotted amongst it are patches of crystalline snow. I can hear Hywel whistling to his dogs lower down the valley. A raven croaks overhead. Half a mile away and 100 feet below me the river sounds like distant motor traffic; a dispersed white noise I could easily not hear. Underneath this is a silence, a stillness that is always there, unchangeable. It is that which takes this place out of time.

 

I understand why I like this spot: I have my back against the wall and I can see all the territory below me. If I don’t move I am unlikely to be seen amongst the trees. It gives me a sense of both safety and advantage, which must be hardwired from the time we were both predator and prey. I also have a sense of expectancy, waiting and watching for something. It dawns on me that I have come looking for the first signs of spring up here in the hills. There is little to encourage me; the wood seems implacable, and of course the expectation is only mine.

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The ground slopes steeply away from me, a chaos of boulders ranging in size from a bucket to a garden shed. The trees that have somehow struggled into being in such an unforgiving place are bent and twisted, festooned with moss and encrusted with lichen. The moss also demurely carpets the boulders wall-to-wall, concealing all manner of fissures and holes. It is a treacherous place to walk. To my left Moel Llyfnant, covered with snow, looks like a huge cone of sugar. Beside it the flank of the Arenig disappears into low cloud, the summit lost from view. To my right, perhaps 10 miles away, is the rounded profile of the Berwyn Mountains, where I spent a good chunk of my working life. Sitting here I feel nourished; there is nowhere I would rather be. This must be what Thoreau meant by ‘the tonic of wildness’.

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This wood has such presence it is easy to imagine it as ancient but it is probably quite young. The trees are almost exclusively birch or rowan, which are classic short-lived pioneer species; the sort that colonise open ground and get woodland started. The oaks, ash and other longer-lived trees gradually follow, although perhaps at this altitude that pattern of succession is less certain. The wood is on the map from 1921, in more or less the same configuration, but probably none of these trees are more than 150 years old, so it cannot date from long before that. There are no large decaying stumps to suggest a previous generation of trees and as far as I know there have been no specialist wildlife species found here that might indicate an ancient woodland. It is more the sense of ‘place’ that makes this wood stand out. And of course it is beautiful – whatever we each mean by that. I remember once walking with a farmer into a narrowing valley on the western escarpment of the Berwyn. It was a glorious spring day, the birds were singing and a waterfall poured over the towering cliff at the head of the valley in front of us. I stood in wonder. He looked at me appraisingly and we had an exchange that went: “I suppose you think this is beautiful? I do, don’t you? It’s just the place where I work”. Perhaps he was just winding me up or, more likely, making a point that this was not just a ‘playground for nature’ but a place of hard and sometimes brutal work. It seems to me that embracing both these viewpoints – the beautiful and the brutal if you like – is essential to understanding such places and our relationship with them.

 

You could be forgiven for thinking the wood is untouched, but this land has been farmed for centuries and that has shaped the wildness of the place. It probably got established by default, at a period when grazing pressure was low. This boulder scree is a place of last resort for grazing sheep so perhaps that was enough of a window for saplings to get away and a wood began. Also I know that the wood was cut for firewood for many years, in particular to feed the ‘popty mawr’, the big bread oven on which the family depended for their loaves up until 50 years ago. Now the wood is fenced out as part of an agri-environment scheme which permits only limited winter grazing. Will this allow new saplings, which are almost totally absent, to provide the next generation of trees and so prevent the wood from dying out? Or perhaps in the near absence of grazing brambles will grow up and smother the woodland flowers.

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I have been sitting here for more than an hour and the cold is beginning to get into me. Reluctantly I pick my way between the trees and over the boulders towards the fence. It is then that I notice them. Hundreds of stiffly pointed bluebell leaves pushing through the moss; a literal manifestation of Dylan Thomas’ ‘green fuse’, through which the life force flows. It is beginning again. In six weeks this place will be a carpet of blue – and I will call it beautiful.

Looking Out

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Today I am confined to the house with a nasty cold, which is frustrating because it is not raining and, although cold, the sun is shining intermittently. I feel imprisoned. The best I can manage is to look out.

 

This is the season of far-seeing, the blessing of a deciduous landscape. Those countless obscuring leaves have fallen away, allowing the long view. There has been a fresh fall of snow on the mountains overnight. From the kitchen window the ground beyond the garden drops away steeply into the river valley, then rises again through hedged pastures, copses and eventually moorland before arriving at the white bulk of the Arenig, nearly 3000 feet at the summit. It dominates our horizon, constantly drawing the eye. I find it tempting to throw adjectives at it ‘brutal, impassive, aloof etc.’ but none of them stick. It is just there, immeasurable.

 

In the bottom of the valley two columns of listless blue smoke rise from bonfires; Gwyn Roberts is hedge laying and burning up the trimmings. A buzzard, harassed by a noisy crow, flies low over the house, tips sideways and slides into the valley, mewing loudly. Otherwise all is still – except that is in the immediate foreground, where we feed the birds. Here there is a frenzy of movement: finches, tits, and robins feeding as if their lives depend upon it, which is probably true. Three jays come bounding in with piratical confidence, searching for the seed I have scattered on the ground. Crows, on the other hand, are leery, always with one eye on the exit. Perhaps it is a bit of a confined space as the crow flies. Two magpies crash in scattering the 20-30 chaffinches. They are bolder than the crows despite being equally persecuted. The cast is topped off by a couple of squirrels and a hefty rabbit, known in the family as Jumbo, who regularly stokes up on birdseed.

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photo: Tom Kistruck

Shifting to the other side of the house I can see along the edge of the lawn spears of yellow and purple crocuses that will prostrate themselves in the winter sunshine any day now. Yesterday I found the first flowering celandine in the garden, the earliest date over the last 15 years. Its traditional Welsh name is Llygad Ebrill, April’s Eye, which says something about the direction of travel of our climate. Despite these intimations of spring the garden, and countryside in general, looks soggy and neglected. It’s the time of year when you can see last year’s litter exposed on the roadsides. The lawn is shaggy and pock marked with holes. Before Christmas a telephone engineer left the gate open and out neighbour’s cattle got in, plunging into the soft ground with their great heavy feet. Nothing panics me quite like the sight of a cow lumbering past the kitchen window.

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Between the crushing presence of the mountain and the circular inevitability of the seasons I feel insignificant. We come and go preoccupied with ‘the affairs of men’: politics, ideologies, economics and so on, meanwhile just outside the window Nature is unavoidably getting on with it; battered but unstoppable. Sometimes it’s a relief to feel this inconsequential. I do my bit, tread lightly on the Earth, otherwise perhaps all I can offer is to look out and say what I can see. At least that is how it feels today.

 

 

 

 

Waterlogged

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In yet another conversation about excessive rainfall, somebody in the village said to me ‘Aled Richards’s house didn’t flood this time. I’m sure it’s because of what they’ve done on Penaran’. And what they have done on Penaran is block ditches.

 

In the hills around here, as in much of the uplands of western Britain, the gentler slopes, ridges and hollows are clothed in a layer of deep peat, sometimes several metres thick. In our wet and acidic conditions iron-pans form in the substrate, which inhibits drainage. This leads to water-logging. Such saturated conditions are starved of oxygen, which limits decomposition and so leads to deepening layers of partially decomposed plants, particularly bog-mosses. This way peat is formed. As long as rainfall outstrips the loss of water through evaporation and transpiration from plants, peat will continue to grow. The resulting blanket bog forms a distinctive landscape: rolling away in soft greens and browns, sodden underfoot, treeless and open, exposed to all weathers. I find the space and solitude nourishing – a place to unknot; but its not to everyone’s taste.

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Get down on you hands (and soon to be wet) knees and blanket bogs look very different. In the wide-open space under an arching sky you can feel like Gulliver in Lilliput, peering at the details of a miniature world. There is an unexpected intimacy in the hummocks and lawns of crimson, gold and brilliant green bog-mosses patched between clumps of heather and the silk handkerchiefs of the flowering cotton grass. Lichen like tiny, bleached antlers, can be as brittle as Shredded Wheat under your boots. The red stars of insectivorous sundews glisten with lethal stickiness and green flower shoots of bog asphodel look as succulent as asparagus. On a warm day wolf spiders sprint across their killing fields of moss and azure bodied damselflies patrol the pools.

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But this is sheep country and farmers are always trying to get a better bite. For many years (incentivised by governments) they cut networks of ditches thorough the peat, hundreds of kilometres of them in the UK, to try and dry the land out and encourage more palatable vegetation. In truth this proved to be of very little benefit to the sheep but highly detrimental to the specialist wildlife – which needs it waterlogged. Pools dry up, bog-mosses disappear and the peat stops growing. What is more ditching exposes peat to the air where it oxidises, releasing yet more carbon into the atmosphere. As intended, water gets away more quickly, accelerating and accumulating from ditch to stream to river – so arriving in a valley flood.

 

In recent years conservationists have begun addressing this. Locally there has been an impressive five-year scheme, financed by the EU Life fund, aimed at restoring blanket bogs. One of the things they did was to block ditches, 485 km in all, including on Penaran. Since then the water table has been slowly rising, bog-mosses are thriving and the peat is growing again. These bogs are huge water absorbing sponges, which allow little lateral movement, so now, when the rain pours down less water goes careering down the hill – and into Aled Richards’s house.

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Blanket bogs are rare, Britain and Ireland have 20% of the global total; they are a source of drinking water, flood prevention, carbon storage and fascinating wildlife, not to mention peace and solitude. Looking after them seems like a ‘no brainer’; an elegant example of how our well-being and the natural world are inextricably linked.

Altering Perceptions

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 It has been raining here for two months. Nearly 50 inches of rain have fallen in that short time. When we woke on Boxing Day the valley below was sheeted with grey water – the Lliw had burst its banks. All the water around here ends up in Bala Lake so we drove down to assess the situation. Upstream the lake had backed up, flooding half a mile of farmland; at the town end waves, driven by a 50mph wind, slapped against the top of the floodwall, spray flying everywhere. We decided conditions were too bad for our traditional visit to family an hour’s drive away.

Unexpectedly having time on my hands I headed for the woods in the afternoon. Despite its strength the wind was soft, almost warm. It was 12 degrees last night – warmer than some summer days this year. The fields were saturated, the ground unable to accept any more water, it was just running off the surface. The stream at the edge of the wood was hissing and foaming, murky with silt, as it careered towards the already flooded valley. In the eddies thousands of rush-stems flushed out from the margins were patterned and meshed together in rafts. Once in under the trees I sat down on a mossy bank and tried to imagine what it would be like for a wren, or some other small creature, under these conditions. It didn’t seem too bad. The wind was thrashing the tops of the trees but down here it was still, and the drizzle barely penetrated. It wasn’t cold, and cold is the greatest energy drainer for birds and animals; also frozen ground makes food hard to find. There was plenty of shelter: stumps, boulders, bushes and trees, plus soft decaying wood and a carpet of moss to be picked over for food. I could hear nothing except the wind in the treetops and the gurgling of the stream. The thin calls of half a dozen redwings, looking for a place to roost, briefly broke the silence. Then a two second burst of song from a wren, which cut out in mid syllable. Nothing, that I could see, moved except a single leaf shaking on its axis as if traumatised. In these saturated conditions the winter half-light created an atmosphere like being underwater. Ground level in these woods seemed a lot easier than in the exposed conditions outside.

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There have always been floods in this valley. This is a wet place. We are used to dragging on our waterproofs every time we leave the house. Usually we hunker down with a ‘seen it all before attitude’ but there is a new edge to my weary acceptance now. ‘Worse (and better) than ever before’ weather has always come and gone; it is in the nature of things. But recently a nagging thought that ‘something is wrong’ colours my perception. The torrential rain, floods, gales and record high temperatures we are currently experiencing are right in line with climate change predictions. Flooding is recognised as the number one threat to the UK from this pattern. It is this that makes me uneasy sitting in the woods, and leads to the corollary of ‘something has to be done’. A crisis like the latest calamitous floods in the north of England can sometimes alter perceptions and provoke political action. One of the things that could be done is to re-afforest some of our denuded uplands, where most of the rain falls. This would gradually create a natural, slow-release, trickle-down system, so preventing all the water arriving at once around our villages, towns and cities. Perhaps governments will begin to consider what is needed to hold up the water and propose redirecting agricultural subsidies to grow trees instead of sheep, or at least offering this as an option for farmers. If so, I fervently hope this would mean native broadleaved trees rather than imported conifers. The former offers great potential for wildlife and landscape quality, as well as soaking up the rain. Such a shift in policy would have profound implications for farming, wildlife and landscape in the British uplands. It could be an interesting year ahead.

Turning Back the Tide

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 On 12th February 2014 hurricane force winds drove the sea onto the west coast of Wales with a ferocity few could remember. Colossal waves caused great damage to man-made and natural structures alike. As the sea sucked back down the beaches it scoured away huge quantities of sand and gravel exposing previously unseen areas of the ancient peat-beds and tree stumps that are well known along parts of this coast.

Once the wind quietened I drove down to Tywyn to take a look. The shoreline was muffled in a soft damp mist; the sea hissed and growled as it backed down the gently sloping beach. Stretching southwards along the shore was an extraordinary jumble of dull brown peat, gridded off into strange rectangular pits. Through the mist it seemed rather sinister – like the sacked remains of some ruined city we were never meant to see. The storm had ripped away its cover. Underfoot the peat was spongy, like rubber matting: a chocolate and grey labyrinth of walls, cuttings and channels flecked with fibres and fragments of wood. Scattered about were oozing tree stumps, slimy with weed, their roots clawed into the peat. Several other people were wandering through the mist, peering and prodding at the peat. One enthusiastic couple had driven from the Midlands especially to see the ‘drowned forest’. Another man walking his dog said he lived in Tywyn but he didn’t seem to have noticed what the sea had uncovered. He just wanted to talk about dogs.

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These peat-beds are a land surface from up to 7000 years ago, when sea levels were much lower than at present and marshy ground stretched out to the Irish Sea basin. The tree stumps, preserved by immersion in seawater, are the remains of a forest dating from 5000 years ago. They include birch, oak, yew and Scots pine – which is long extinct in Wales as a native. Changes in the climate caused the sea level to rise, burying this ancient landscape under thousands of tons of sediment. At various times since parts of it have been exposed at low tide and, it seems, in the 18th and 19th centuries people dug the peat for fuel. They had to get their work done between tides hence the strange walls and drainage channels. Even by the time I left the tide was beginning to creep up and re-cover the labyrinth.

Recently I went back to Tywyn on a low tide to have another look. Much less of the peat is visible now. The sea is slowly burying it again under shingle and sand. I was a bit disappointed and, irrationally, found myself worrying about its preservation; wanting to hold back the tide. I realised that this was a habit of mind acquired from 45 years of being in and around conservation. During that time there have been other tides: intensive agriculture, commercial forestry, urbanisation, pollution and the rest, swamping and obliterating our wild countryside. People like me have got into a mind-set of trying to hang on to every last fragment. It has become a reflex. Those 18th century peat cutters would have had no such anxieties – wildness was still abundant then. What they would have made of the lines of dull green caravans staring blankly out to sea at the top of the beach I cannot imagine. Names like Granada, Rio, Highlander and, most puzzling, The Concept gave no hint of connection with this place. Unless rapid progress is made with implementing the recent Paris resolution on climate change Granada and the rest may soon vanish under even greater tides.

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Between Abigail and Barney

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 After several days of battering by storm Abigail there is a respite. I step gingerly out into the weak sunshine to survey the damage. I can see flooding in the fields down by the village, but it soon runs away from here – into the fields below! A litter of twigs and small branches are strewn about, but there are no slates off. We have got away lightly. Grounded birds are everywhere: the thin calls of redwings and manic chuckling of fieldfares fill the larches along the drive. A flock of starlings are marching across the field like a ravenous army, chattering and feeding as they go. The small birds on the feeders are frantic, as if they sense this is only a lull.

What strikes me most are the fallen leaves. There must be millions of them, storm-sculpted into brown and gold drifts at edges and low points. Where will they all go? For 30 years we have been barrowing loads of leaves, weeds and rough cuttings on to a heap at the bottom of the garden, and yet it never gets any bigger. It is like some biological conjuring trick.

I heard recently that there are more than a billion species in a handful of soil. These are bacteria, viruses and a multitude of fungi and invertebrate animals. Far from being the soft, inert substance it can seem to us, soil is seething with life. Many of these organisms feed on dead plant material; they will tackle anything from a large tree stump to a single leaf, gradually reducing them to compost. Of course they are not trying to produce soil anymore than soil tries to grow carrots. This multitude of life forms is part of an extraordinarily complex and intentionless ‘system’ of predators and prey, rot and decay, which are completely interdependent one with the other. We are no exception, being equally embedded and interdependent within this ceaseless process; it’s just that we don’t often notice. However that is our great privilege: we can notice – and call it miraculous.

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Ducking the water from an overflowing gutter I go back indoors to batten down the hatches. Barney is on his way and I can only hope he is not as rough as she was.