Category Archives: Uncategorized

Tangled up in Blue

I am standing in dappled sunlight on a woodland path in early May, and the sense of growth is almost overwhelming: honeysuckle, bracken, tree saplings and most of all brambles are reaching out in a smothering embrace. This is an urgent season and they are hungry for space.

Ynys Hir, the RSPB’s beautiful reserve on the Dyfi estuary in mid Wales, has a fascinating and complex mixture of habitats: heath, grassland, wetland, saltings and woodland. Where I am standing was once an ornamental part of the old estate and the mossy stone walls still elegantly set-off the rocky woodland.   

A large tree recently smashed down by a gale has cleared an unseemly space in this bucolic order – a disturbance and an opportunity.  Several young trees have been summarily uprooted by its fall, but already new growth is filling the space. Death must be the corollary of all this growth. A pool (no other word will do) of bluebells at the base of a hazel seem ‘exactly right’ to me, a microcosm of how I would like the wood to be. But they are no accident of nature, more a product of past land use (cutting of underwood, grazing by stock) which held back all this rampant growth.  And anyway my assessment rests on a misty cultural memory of how woods used to look. Approvingly I notice that dead wood is everywhere: twigs, branches, and even whole trees – these certainly would not have been left to rot back then. ‘Dead’ is a complete misnomer as they bulge with the living, from woodpeckers down to barely visible invertebrates and fungi, and beyond that into the teeming invisible biota which seem to tip from science into the miraculous. 

A grey squirrel, not ten yards away, runs so lightly along a fallen tree trunk that it seems to float soundlessly just above the surface. This grace is shattered when it stops abruptly to scratch, a hind leg rotating frantically like a mechanical toy. In some parts of England grey squirrels eat such a high proportion of the hazel nut crop that the future of hazels is in doubt.  This dynamic animal is seizing an opportunity and changing how things ‘ought’ to be.   

 

Meandering between the trees the path is charmingly fringed with bluebells but a yard or two in is a hungry quilt of brambles amongst which a few straggling stitchwort hint at what has been overtaken. Yet in other places the woodland floor is clear of brambles and thick with young trees: birch, rowan, oak, sycamore – hundreds of them.  Until recently these were the missing link in so many overgrazed Welsh woodlands but now some woods have been fenced and the sheep removed. Following that, you could of course, let the wood get on with it; allowing the whole dynamic business of living and dying to roll on indefinitely. Advocates of re-wilding would say ‘amen to that’ and go home and play cards. The trouble is that we place a value on species, and habitats and then feel obliged to maintain or create the desired state. Follow that logic far enough and nature conservation could become like any other land use designed to produce a crop: Sitka spruce, wheat, pied flycatchers. It’s a hard road.

A small swarm, perhaps fifteen, newly emerged damselflies drift across the woodland floor like undersea creatures – so ephemeral they barely seem to exist. By contrast a pied flycatcher fussing about in the tree above me is very much ‘here’, although his singing seems a little half hearted in the chilly wind.  Between the trees I can glimpse the wild expanse of the estuary and the northwest wind carries harsh cries of Canada geese, hinting at a quite different world.  This is another species shouldering out the natives and changing how things ‘ought’ to be. 

Lower down in the wood young holly trees are growing in claustrophobic thickets, another species that has seized an advantage in the now ungrazed woodland. Until recently (ecologically speaking) holly seemed to be ‘comfortably’ scattered through Welsh woodland but recently it has been regenerating ‘uncomfortably’ fast. I come to a place where the reserve managers have been clearing it out, the pale teeth of cut stumps contrasting with the sad dead foliage, bleached like abandoned wreaths on a grave. Nobody is quite sure why brambles or holly are now growing so vigorously, although there is undoubtedly a response to the sheep being removed and all their supplementary feeding and dunging which will have left the soil enriched.  Perhaps the warmer winters that come with the changing climate are playing a part – brambles don’t like freezing conditions or persistent snow cover. Also the insidious increase in atmospheric nitrogen, a pollutant from traffic and agriculture, is likely to be in the mix. But here is the rub: various species that we value, such as pied flycatchers, wood warblers, bluebells and some specialist lichens and mosses prefer a wood with an open floor. They don’t thrive amongst brambles and thickets of young trees – but on the other hand the wood must have new trees to ensure its continuity. The RSPB is trying to square this circle by a year or two of cattle grazing and browsing followed by a fallow period when young trees can get established.  Getting this balance right is not easy and it is only one of the  many habitat management problems in a place as diverse as this.    

Gnawing at these dilemmas I come across a large white butterfly amongst the bluebells, idling back and forth it stops occasionally to sip nectar from an open flower before drifting on again. Its demeanour reminds me with a pang of a way of living that often seems just out of reach. Perhaps I should become a re-wilder and just enjoy the bluebells until the brambles overtake them.   

A Stairway to Heaven

It is a blue-sky morning, fat with the promise of early spring and I am standing at the bottom of a tight, single-track road just across the river from where I live. The road rises steeply to the north, winding through pastures and woodland, until eventually it reaches the open hill country above. I feel full of expectation, eager for clues of renewed life. At first sight the place looks unchanged since Christmas: the ground hard and bony, grass cropped short and the trees bare, but I can smell new growth: a rising succulence that is putting new flesh on winter bones. There is fresh unfolding foliage on honeysuckle, cleavers, herb Robert and cow parsley. Yellow stars of celandines light up the hedge bank with a brassy optimism, the plain white flowers of barren strawberry around them are like maids attending a dowager. Above me a goldcrest is stitching its high frequency song whilst a crow yells in a coarse f-off sort of way from nearby woodland. Abruptly a pheasant coughs like somebody tearing metal. A lizard, my first of the year, is more movement than image, slipping between dead grass and emerging nettles. 

Further up a scruffy little pasture catches my eye: drab grey-green with scattered rushes and bracken, it is quite unlike the overfed verdance of the valley bottom grassland. This small field is steep (which no doubt saved it) and full of hummocks and jutting bedrock – and best of all a sprinkling of grassy anthills, a sure sign it has been spared the plough. Such places sometimes contain botanical gold, so I will be back in a month or two.  

Turning round and looking south the escarpment edge of the Cambrian Mountains, although five miles from here, is sharp enough to cut your finger on today. In the foreground the river, a glittering blue slash across the landscape, looks benign and easy, but only days ago it bulged ominously with coffee coloured water moving with a remorseless force. En route from Aberystwyth to Shrewsbury a train trundling along the valley gives a mournful hoot: a come-hither sound that has me longing to travel. It has been a hard year.

In the hedgerow a patch of dog’s mercury is fresh up from the soil, the tiny cream and green flowers just beginning to open. I am always pleased to see this modest plant; it is said to be an indicator of long gone woodland and as so many of our plants originated on the wildwood edge a hedge is a good enough proxy.  A group of long-tailed tits are making their way along the lane from bush to bush in busy conversation; they seem oblivious of me – like people overheard on a bus. 

Further up the lane the ground opens out into steep hard-bitten grassland strewn with last year’s brittle and flattened bracken. It is hard to imagine the forest of sappy fists it will be thrusting up in just a few weeks. The slope rises to a group of elderly oaks through which a raven sidles discreetly off stage. I can’t see a nest, but it is that time of year for ravens. A scattering of gorse is (as always) flowering but otherwise this slope looks closed, still in the grip of winter. Some of the oaks have shed limbs – a glorious chaos of lichen and rot. I offer up a silent prayer that they wont be tidied up, but a stack of logs at the roadside looks ominous. One or two trees lie prone, punched flat by distant gales, their root plates rotated to vertical. It is a miracle that they stand for so long in these shallow shaley soils, their sclerotic roots clinging on for dear life.

At this point the trickle beside the road runs into a kind of slate cistern, the sort of thing a posh garden centre would rob you blind for – but here, made long before artisans drank lattes, it is half overgrown and entirely forgotten.  A bit further up, where the road crosses a stream, a dry-stone wall made from thousands of slate shards is twisted out of shape by tree roots, but it still supports the bank.  It is hard to imagine the patience and fortitude needed to make such a thing for seemingly such a slight purpose.  It reminds me of Andy Goldsworthy’s work, which shines a light on the everyday artistry that was once everywhere and nowhere in the countryside.

Either side of the lane is now open hill land. The tarmac has disintegrated into a loose rutted track with patches of exposed bedrock. I’m pleased to reach the top, the break in slope before the track slides down into the next valley. Spread out in front of me is a huge bowl with woodland and forestry plastered around the sides of the surrounding hills. It still feels hard and unforgiving up here, a few hundred feet make a lot of difference at this season. The hedgerow plants have gone, the birds are quiet and the wind suddenly has a bite. Not yet the glories of skylarks in their towers of song or small butterflies dancing across the warm turf. 

Tucked under the slope150 feet below me is Bron yr Aur, a remote one-time farmstead now impressively ‘off grid’ with a wind turbine, hydro and a solar array. It was here, sometime in the late 1960s, that Led Zeppelin started writing ‘Stairway to Heaven’ – one of the greatest rock songs of all time; apparently Bron yr Aur is still a place of pilgrimage for fans.  It is a seductive thought that this road inspired their title, but really I have no idea if their stairway to heaven is the same as mine.

In the Midst of This

At the beginning of the week we had the sort of rain that would have got Noah out of his armchair: this culminated in the river Dyfi spilling millions of gallons of water onto the floodplain until there was a veritable sea downstream from the bridge. For 24 hours Machynlleth became cut off from both north and south, and at least one home was badly flooded. By Thursday the waters had subsided again leaving a tangle of debris and broken fences for the farmers to clear up. 

On Friday it turned frosty and this morning we woke to the brightness of snow: the landscape was transformed once again. I got out early but at least one lot of dog walkers was ahead of me. Crunching and snapping underfoot in tiny seismic explosions the snow clung to every twig and branch in gobbets or delicately frozen filigrees. Yellow gorse flowers glowed like struck matches inside crystalline cages. My terrier dashed about nose to the ground  – what is it about snow that seems to amplify scent trails? The sky was bruised purple and looked fit to burst. I met a couple of other wide-eyed, snow-struck walkers: “more on the way” we pronounced knowingly.

I was enjoying myself, but for many people all this ‘weather’ on top of a remorseless deluge of Covid news at the fag-end of January, must seem like the pits. Being forced to live in the shaky gap between vaccination and infection, in a closed-up town dumped on by floods and ice – is too much.

But, of course, this grim story is only one version of what is going on: It was light until 5.30 yesterday evening; I heard my first song thrush give voice – admittedly rather tentatively, less strident for now; some snowdrops have turned down their bells, dreaming of early pollinators; and the rooks at the bottom of our road are in constant conversation about the new season. It seems to me that we are no longer looking into winter but out towards spring.

But walking home through the muffled town I was reminded of this ‘life depends on your viewpoint’ stance when I noticed a blackbird foraging in the gutter, no more than a yard away. I was charmed by its confiding behaviour until it struck me that this wasn’t friendliness but desperation. If the snow and ice persist it will be hard pushed to find enough calories to make it through the night.  Cute though it looked, cocking a bright yellow eye at me, it was trying to survive in the mortal gap between enough and too little. Mostly our affluence masks the inherent fragility of life but Covid has ripped this away – leaving us as vulnerable as a blackbird on an icy morning.  

In a Lowly Cattle Shed

The rain is hammering down on the metal roof and the wind rattles every loose corrugated sheet but still the glorious voices of the singers rise up, soaring above the racket. A sense of community and common purpose is palpable – it feels like a triumph of spirit over adversity.

We are standing in an enormous open-sided shed in the middle of Machynlleth’s livestock market; the floor is gridded out with sturdy metal pens, which 3 days ago were crowded with jostling sheep. Each of us, in a group or singly, has our own pre-booked animal pen to ensure social distancing – the straw and dung has thankfully been swept aside.  At the front, performers from Mid Wales Opera are giving it their all – delighted to be in front of a live audience for the first time in months. Pop-up opera in a sheep shed – where else but Wales could these two so readily share a bed. 

Apple-of-Peru

As it happens this place was a haunt of mine during the first lockdown due to the interesting flora that grows here. In the scrubby margins, rough grass and disused animal pens all sorts of plants eke out an unlikely living. Some of them no doubt arrive here with the dung and straw, on the fleeces of the sheep or even the tyres of the vehicles that come from far and wide every market day. I found oddities like Apple of Peru, Fool’s Parsley and even a discarded potato, whose flowers were as lovely as I saw all summer. Others like Red Bartsia, Common Mallow and Dovesfoot Cranesbill inhabit the tussocky grass – scuffed patchily into seedbeds by wheels and hooves. Other species thrive in the undisturbed scrub that runs along one side of the mart: this was the only place in the district where I found our native Goldenrod and Broad-leaved Helleborine. The latter is an orchid, several of which were unusually vigorous and packed with flowers, despite having emerged from ground sprayed lifeless with weed killer.

Broad-leaved Helleborine

Remembering these tenacious plants as I listened to the final rousing carol filled me with a sense that life and spirit can overcome even the most difficult times and daunting odds.

Just What the Doctor Ordered

 

I hadn’t been to Craig y Tan for months: a combination of a hip replacement operation and Covid 19 lock-down had made it impossible. But by late June and I couldn’t stand it any longer, so I set out early and pulled up at the farm by 7.30, on what is promising to be the hottest day of the year so far.  Parking someway short of the yard I can see Hywel walking across the field below the house. He is carrying one grandchild and leading the other by the hand; in front of them seven sheep dogs spin and leap, let out for their early morning exercise. He stands for a while looking down the valley and I imagine he is talking to the children about Craig y Tan; I know how important it is to him that they are steeped in this place.  It is a tender scene, evoking the care for family and place bound together, generation upon generation. A bit later I catch up with them under the sycamore tree by the house. Anest is pushing herself on the swing and Eurig, a sturdy little lad just past his first birthday, stands regarding me solemnly. Hywel and I talk a bit of nature and a lot about family and grandchildren; the affection and pride for these two shines out of him, transcending anything else we might have spoken about.

Setting off across the meadows and rough grazing, the grass is wet with dew but the streams are low after the dry weather. It is very quiet; other than a wren belting it out and the intimate calls of house martins swooping around me there is a deep silence. It is already getting hot; a gentle breeze barely stirs the leaves. As I walk my boots scuff against heath bedstraw, bright yellow hawkweeds and the green bladders of seeding bluebells. Facing up the valley towards Moel Llyfnant there is little evidence of ‘human time’, just the unhurried rhythm of natural processes. The rocks, squat hawthorns and sheep cradled in this valley feel like a scene outside of time – as if nothing has ever changed and never will.

 

Heading uphill I scramble over the fence into the woodland (a bit of a challenge for my new hip) and everything changes; or at least intensifies. Because it is so rare that anybody comes into these woods they have an untouched, fairy-tale atmosphere. A buzzard circling overhead starts mewing, a wild sad sound that only adds to the estrangement. Under the gnarly trees the grasses and ferns are tall: patches of stately marsh hawk’s-beard and valerian decorate the wetter places, delicate beech ferns fringe a chaos of rocks. I feel uncomfortable about crushing the vegetation, as if by walking here I am spoiling the place. Painstakingly I clamber up the moss covered block scree, testing each step with my stick; this is not quite what the doctor ordered.

I make it up to the base of the cliff and settle down with my back against a rock. Looking down I can see through the twisted intricacy of woodland to the rough pastures both sides of the river half a mile away. From there the lower slopes of the mountain is gridded with elderly stone walls and above them a long bare ridge ascends to the summit of the Arenig at nearly 3000 feet. There probably isn’t a single other human being between here and there. Around me the plant and insect life is prolific: small flies, a beetle and various spiders run over my clothing and notebook as I write. Two spotted flycatchers ‘tsskk’ their soft familiar call at me; I am surprised to find them here so far from habitation. Perhaps they have a nest in a rock crevice, the sort of place they must have used before houses and barns existed. The air smells clean and sappy – fresh and far from harm.

beech fern

I have been exploring and writing about Craig y Tan for four or five years now and I find myself wondering what it all amounts too. Is this farm some quaint and delightful anachronism or a beacon for a more ecologically sensitive world? At the heart of the question is a quest for the reconciliation of farming and nature conservation. Personally it has been a great learning. After 35 years of living here and working in the hills I thought I knew a bit about this kind of farming, but I know a lot more now. Similarly I brought some natural history and conservation knowledge and experience with me but nothing beats paying close attention to one ‘patch’. When it comes down to it the world is essentially local, and all the better for being understood that way. I also had some appreciation of the farming way of life and its cultural context but thanks to Hywel that has deepened and become more nuanced. Although not a man to proselytise or thump the table he feels strongly none the less and he has been quietly and kindly educating me. Visitors passing through Craig y Tan might (at least on a dry day) call it Paradise and walk on; they could be forgiven for not appreciating the extent to which this wild place has been shaped by Hywel and his forbears, or the extent to which the public purse, through an agri-environment scheme, helps maintain its rich and varied character.

heath spotted orchid. photo:Gethin Elias

Despite the day warming up I am getting a bit stiff sitting at the top of the woods; it’s time to move – which will no doubt be a relief to the spotted flycatchers. Going down is even more hazardous than coming up so it takes a while to get back to the boggy pasture outside the wood. Towards the river the butterflies are now on the move in the warmth of the day: meadow browns, ringlets, a small skipper and, to my delight, several small pearl-bordered fritillaries, the first I have seem at Craig y Tan. Heath spotted-orchids are just beginning to open their delicate pink spikes and the magenta bells of the cross-leaved heath attract nectaring butterflies. A very small frog, alarmed by my approach, struggles to get away though thick rushes beside a ditch. I am seeing all of this with fresh eyes after a few months away; it makes me realise just how abundant wildlife is on this farm.

At the riverbank I am grateful to pitch into the shade of a big hawthorn. The river is about half full and burbling along with a lack of drama that seems to suit the day. A small trout jumps and flops back with a mild splash. I wait in vain for a dipper to come barrelling past but the dragonflies keep me entertained. Two impressive golden-ringed hawkers are intermittently scrapping with rustling wings over territorial rights. Several splendid demoiselles flit elegantly above the water like Georgian dowagers with time on their hands; their electric blue seems to me a little too gaudy for North Wales. Looking back across the boggy pastures and up into the woods where I have been this morning the farm seems rested, harmonious, there is no intensity or stress on the land or stock.  Could more farms be like this?

splendid demoiselle. photo: Tom Kistruck

So is Craig y Tan farm a throwback or a way forward? It is undoubtedly a beautiful place and still rich in wildlife, especially by current standards. It is also a viable, if subsidised, working farm in the hands of a local Welsh speaking family committed to their community and way of life. From the perspective of  ‘ecological services’ such as carbon storage and sequestration, water quality, flood prevention, biodiversity and public health it scores pretty highly. Through the agri-environment scheme the current land-use system has been somewhat tailored to meet nature conservation needs and, with some important caveats, is doing pretty well. In Hywel we are unusually lucky to have a farmer who is interested in the natural history of his farm; I don’t want to pretend he is typical.

Ambling back along the river my head is full of the complexities thrown up by seeing this farm as a microcosm of hill farming and wildlife conservation. It does seem to be working; there is harmony between the two, albeit at considerable public expense. Meeting Hywel and his grandchildren this morning has stayed in my mind all day. It was a reminder that although Craig y Tan can be seen to represent the struggle to retain a rich wildlife heritage in a farmed landscape it is just as much about community, family, hard work and commitment to place. Anest and Eurig will, I hope, enjoy and remember Craig y Tan all of their lives, as perhaps their descendants will.  I am just passing through – and I call it Paradise.

 

 

 

 

 

 

 

Life in the Gutter

 

In late February I had a hip joint replaced, and then came lock-down: a combination that limited me, for a while, to tramping the streets of the town where I live. One of the joys of this has been getting to know the botanical life that lives in the gutter: clinging to walls, cracks in the pavement, rough ground and doorways. These are the backstreet habitats exploited by the nimble and exotic alike; places where newly arrived migrants rub shoulders with native lowlife, eking out a living just under the radar.

In March and early April there were the ’weeds’ such as thale cress, whitlowgrass and cornsalad – none of them very photogenic but still smart enough to flower and set seed before anyone noticed how ‘untidy’ they were. Many of these annuals are native plants, originally inhabitants of open ground that was probably scarce in the ‘wildwood’. Later they prospered and spread amongst crops in agricultural landscapes and yet more recently they have colonised the dry places and disturbed ground of our urban spaces.

Many new arrivals have simply scrambled over the garden gate – an ornamental quaking grass is well established in parts of Machynlleth. Similarly I have found pansies, snapdragons and two exotic bellflowers, as well as more culinary opportunists such as oregano, fennel and lemon balm, each decorating the gutters and walls of our streets. We can also thank gardeners for more notorious escapees such as rhododendron ponticum and Japanese knotweed. Rhododendron smothers whole hillsides not far from here and the knotweed is so prolific and tenacious that you can incur a hefty fine just for moving it from place to place.

Our flora has always been on the move. When the ice sheets and permafrost retreated northwards 12,000 years ago Britain was still joined to Europe and plants from the south and east were able to gradually colonise the warming ground. Later, humans started to move longer distances and plants went with them. Much of our arable flora, along with the wild ancestors of wheat, originated in the bone-dry grasslands of Turkey and the Middle East where their seeds mixed with the grains taken into cultivation. Until cleaning of cereal seeds became more efficient in the 19th century wild flowers were unintentionally harvested and re-sown for centuries, alongside wheat, oats and barley. Ecologically life in the bare, well drained soil of the cereal fields was like Turkey revisited, so consequently they thrived. The patriotic red poppies of our cornfields and waysides were part of this ‘invasion’ and so are not in fact native but early colonists of our farming landscape. For the last 150 years or so this arable flora has been in steady decline with cornflowers, hairy mallow, weasel’s-snout and the rest almost extinguished by increasingly efficient farming methods.

A preferential class system extends into the classification of Britsh plants: 60 years ago it was simple and brutal – natives okay, the rest – beyond the pale. More recently this has been broadly stratified into natives, archaeophytes (established before 1500) and neophytes (arrivals since 1500), the last two together are defined as ‘aliens’. This often seems like a declining order of worth amongst field botanists, with natives as the most highly regarded. Delightfully some plants have the temerity to ignore the rules. The Welsh poppy is an outstanding example of a plant becoming downwardly mobile. It is still found as a scarce native plant in mountainous areas (including not far from here on Cader Idris) where it is revered by botanists. Unsurprisingly such an attractive plant was taken into cultivation and from there it absconded back into the wild, to inhabit walls and waysides. This same lovely plant now belongs to a much lower caste than its mountain relatives.

There is a glorious ‘anything goes/survival of the fittest’ feel to this guttersnipe community. Under-loved natives such as cats-ears, dog daisies and ferns burst out of the cracks and scuffed-up soil, taking their chance alongside newcomers like periwinkle, red valerian and purple toadflax. It is a hazardous existence, at least in this town, where the council deems all this effervescent beauty to be unruly and unregulated. They send in a man with a strimmer who, like a modern incarnation of the grim reaper, cuts many off in their prime and later administers a dose of glyphosate for good measure.

But these botanical riffraff are a resourceful and tenacious bunch; many of them will outlive us all, bursting through the cracks of Armageddon Street long after we have gone. During lock-down the only things growing on the streets of this town were in the gutter.

 

 

 

 

Born to be Wild?

 

We planned to leave early but at first light it was blowing a gale and lashing with rain – going back to bed seemed a better option. I phoned Tom who was quite unperturbed saying, “Lets go, it might be different down there.” And it was.

Tom is my son-in-law and a warden at the RSPB’s Ynys-hir nature reserve, which is about 15 minutes drive from here. Along with my eldest son Owen we had planned a trip to look for lesser spotted woodpeckers, one of Ynys-hir’s star birds.  On the drive there we encounter dramatic flooding where the high tide has met overnight rain pouring down the Dyfi from the hills above. A train teetered uncertainly towards Aberystwyth along an embankment through the flooded fields – it felt like Armageddon. But when we pull into the sheltered car park all is tranquil: the wind had dropped, the rain ceased and the birds are singing.

At Ynys-hir, above the bog-land and grazing marshes of the Dyfi estuary, are a series of wooded and rocky ridges where the oak trees are distinctively twisted, as if from the effort of clinging to the bedrock. Arthur Rackham could have drawn this rumpled and mysterious terrain. The woodland is extensive, which is just what lesser spotted woodpeckers like. I had always assumed these sparrow-sized birds were out there somewhere and doing fine, but recently conservationists have realised that their numbers are much diminished. There may only be about 2000 pairs remaining in the UK, although nobody is really sure. The difficulty is that these small birds are very elusive: occupying a territory of perhaps 500 hectares they cling to twigs and upper branches, picking through the moss and bark for small invertebrates. This makes cold searching for ‘lesser spots’ a needle in a haystack sort of business. Tom tells me of a man he knows who has been trying to see one for 14 years, so far without success. Apparently your best chance is to hear them calling or drumming in the early spring – which is why we are here.

photo: Tom Kistruck

More in hope than expectation we ramble around these beautiful woods for an hour or two, peering and listening intently, but we don’t get a whisper. In truth, apart from ensuring a good supply of standing dead wood (don’t tidy up), there is not much conservation managers can do for lesser spotted woodpeckers. This is a bird that is out there somewhere living as it always has, whether or not we understand the reasons for its decline.

To compensate for our lack of success with the woodpeckers Tom offers to take us out onto the grazing marshes in his pick-up; this is a part of the reserve the public don’t usually get to, so we jump at the chance. The contrast after the muffled woods is dramatic: this land is three-quarters sky and straight-line flat. Gateposts are landscape features here. Tom (a proud Suffolk man) is clearly in his element in this bleak expanse and I tease him that he has somehow found a corner of East Anglia for himself amongst the Welsh hills. Flocks of golden plover, teal and lapwing swirl around us and we get a distant glimpse of the rare of Greenland white-fronted geese which overwinter here. A fine male merlin sits neat and lethal on a fencepost for us to drool over.

photo: Tom Kistruck

Apart from the wintering wildfowl and waders the main interest for the RSPB on these grasslands is the breeding lapwings. This was a common, and much loved, farmland bird until 40 years ago; it still shocks me to realise that in Wales they are now largely confined to about half a dozen nature reserves like this one. The causes of their demise are complex but revolve around changes in agriculture, both arable and pastoral, and an increase in predators, particularly crows and foxes. Lapwings like it damp to ensure a supply of invertebrate prey, so an intricate network of ditches, sluices and pipes have been installed here to redistribute the rainwater to where it is needed – the complexities of which Tom seems to carry in his head. Lapwings don’t like clumps of rushes: rather than hide from predators they prefer a clear view of what’s coming. So as well as getting the grazing levels right Tom treats the ubiquitous rushes with a herbicide, using a tractor powered weed-wipe. The biggest threat of all to lapwing breeding success is predation of eggs and chicks by foxes and crows. To deter the foxes a six-foot high fence, dug into the ground at the bottom and electrified at the top, surrounds this area of grazing land. A fence like this costs tens of thousands of pounds. Remote camera traps have shown foxes patrolling around the fence, searching for any weakness. Tom tells me he once saw a fox tossing lapwing chicks in the air like beanbags; he loses sleep over the thought of one getting in during the breeding season. Crows are perhaps an even bigger problem: there is no way to keep them out. Systematic culling of foxes and crows is often integral to managing breeding lapwing populations these days – although not currently at Ynys-hir.

Lapwings would be more or less extinct in Wales if it wasn’t for the kind of  dedicated, intensive management that is being done at Ynys-hir: expensive, time consuming work that raises dilemmas about the use of chemicals, killing predators, and enclosing wild birds with fencing. In truth there isn’t much different between this fence and those at safari parks or Whipsnade zoo. But if we want to keep the beautiful and evocative ‘peewit’ sound of breeding lapwings tumbling through the sky then these are the lengths we have to go to, at least for now.

The contrast between these two declining birds could not be greater: the lesser spotted woodpeckers are in a more or less natural environment and largely beyond our reach, whilst the lapwings are close to being farmed. In our drastically modified countryside it is sometimes hard to know what ‘wild’ means anymore.

 

 

 

 

 

 

One More Turning

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Gaia House Retreat Centre, Devon: At 8am the world is almost monochrome and gripped with cold, frost rimming every leaf. Gaunt trees, some decked with mistletoe, rear up in front of me like something from the Deep. The only dabs of colour are orange berries on the withered remains of wild irises dotted along the roadside. The sky is a not-yet-blue colour but yellowing in the East – probably the sun is up on the coast. A too-close blackbird is turning leaves, pausing only to give me the eye. It feels as though life is hanging on, waiting for the earth to turn another couple of degrees, then the blessed warmth will quicken blood and flood through tissue enabling the day long search for sustenance to start in earnest.

 

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A cockerel in the valley sounds tinny and uncertain in the cold air. There is scattered applause from wood pigeons breaking cover. I am touched by a notice the folk on the corner have posted ‘To all who pass by…. wishing you good health, joy and blessings for 2017’.

The frost is not gone from the lawn until midday, despite three hours of weak sunshine. I circle the mottled trunk of the ancient plane tree which, like the aging body of an artist’s model, is slipping slowly into recline. Bunches of daffodil shoots poking two inches above the ground are like speed traps for unwary meditators. There is a flurry of bird calls now: nuthatch, goldfinch, robin, bullfinch and the distant laugh of a green woodpecker.

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West Ogwell church, which is painted cream, otherwise looks plain and dependable; the sort of church that has pinned the English countryside together for centuries. Unused, a little damp and peeling, it still has has beautiful wooden box pews like something out of Thomas Hardy. The churchyard is ringed with horse chestnut, beech, evergreen oak and a cranky old hornbeam that is leaning perilously over the graves. On the headstones are solid English names like Bishop, Taylor and Gilbert. Several low granite enclosures are where nuns from the old convent were buried, sometimes six together without mounds, just discreet names on the curb stone: Sister Gladys, Edna, Maud, Dora and so on – names from my grandmother’s generation – modest women who gave their lives to God.

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The afternoon is fading, Dartmoor reduced to a rusty smudge on the horizon, a couple of ragged tors still visible. By four o’clock the cold and darkness are closing in for the long night, and by eight the fog is as thick as smoke. In the bushes blackbirds are sounding the alarm – these conditions will prise open any weakness.

So to New Year’s Eve and we are sitting around a fire in the woods in companionable silence, a circle of flame-lit faces – some smiling others pensive. Tawny Owls are calling love to one another amongst the trees. We cast our regrets, hopes and aspirations into the flames and the sparks tower up, each one brilliant and brief in the endless stream. I feel in good company with Messrs Taylor and Bishop, Sister Edna and the rest as I enjoy my moment in the light.

 

 

 

 

 

 

 

 

No People No Significance?

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It was Annie Dillard, the American writer, who said “no people, no significance” meaning, I think, that it is only we who can perceive significance. There is another way to look at it – that human presence in a landscape can add significance for us. I was reflecting on this whilst reading back over some notes I made on Bardsey Island this summer. I pulled out the following from a day in July:

Sitting in the sun against the wall of our cottage I tuned in to what I could hear: melodramatic wailing from seals, all ‘woe is me for I am a lost soul’; a smart male stonechat on the fence opposite has a ‘chack-chack’ call like beach pebbles colliding, interspersed with rusty squeaks – with his orange breast stuck out and feet apart he looks like an amiable grocer passing the time of day; piping oystercatchers – they sound so brainless; the textured throaty bleat of a ewe, just twice, is laden with context for me – Wales, hill-country, home; glassy twittering of meadow pipits along with the soft intimate calls between linnets is the common tongue here, the daily gossip; and behind everything is the surging hiss of the sea and felt-sound of grass shifting in the breeze.

 Nils (my grandson) found a little owl in Nant Valley. It yelled at us from a hole in a gorse bush, then advanced to a nearer fence post and then one nearer still – a ball of fluffed out indignation. Its lemon yellow bill and irises framed large black pupils, which stared relentlessly at us, furious at the intrusion. I presume it had a brood nearby as it continued to harass us until we were 100 m away.

 A runner from the bird observatory passed by with a panic message “Basking shark if you are quick”. I ran and arrived puffing heavily, just in time to get a glimpse through the telescope of two sharp black fins (dorsal and tail) cutting through the water. I thought of them as ‘ominous’ despite other-time images of gentle plankton gulping creatures.

 Ambling back along the track I admired the wayside flowers: cats-ear, bartsia, bell heather in magenta cushions, yarrow, knapweed, silverweed of the purest yellow. Gorse seeds were popping loudly in the heat.

 The moon was rising as we watched, lifting above the shoulder of the mountain. It was huge, a day off full, and silver – a priceless glittering coin. As we turned away we saw the ‘Bardsey bat’ – a lone pipistrelle that has taken up residence recently, probably in one of the buildings.

 In the early hours thee was the mother and father of all light shows in the western sky: sheet lightning bursting out every few seconds from all round the purple sky, sometimes underscored by the precision strikes of forked lightning. The strange thing was that it was largely silent, just the odd roll of thunder – the rain came later. The planet was flexing its muscles and the vastness of it made human concerns seem puny. At dawn the moon was poised low over the sea, butter yellow now with a golden trail stretching from horizon to shore across a flat-calm sea.

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A sense of harmony, between humankind and nature is deeply satisfying to people sensitised to such things; even more satisfying for some than untouched nature. The latter often evokes awe whereas the former comes with a sense of well being. Stone walls, smoke from a chimney or grazing cattle can add something to a landscape. On Bardsey visitors often remark upon this sense of harmony for, although it is a nature reserve, it doesn’t feel quite like one because it is also a place where people live and work, farm, fish for a living and holiday, which means buildings, boats, livestock and so on. There are, of course, all sorts of constraints, frustrations, hard graft and tolerances that go in to making this work – which is a whole other story. Sitting in the sunshine on the terrace of the bird observatory next morning I jotted down some of the factors that help produce this harmony for visitors to the island:

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You are hard pushed to spend any money here.

Children can be safely feral.

Nobody knows the time.

You must walk everywhere – there are no cars.  

No Internet, phone signal, TV or even electric light.

There is nothing to do, but everything to grab your attention.

 This place has a tousled unkempt look, which is a complement to all who care for it. The breeze ruffles the blonde grass and carries the sweet summer fragrance of lady’s bedstraw. The hiss of the sea is the islands tinnitus. Bardsey is much more than the sum of its parts – a mystery that is well worth attending too.

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It seems to me that although these experiences are about bearing witness, ‘recording significance’ Annie Dillard might say, they have at their heart a good deal about people interacting with nature. If I try to imagine Bardsey without the farming, fishing, birdwatchers, holiday folk and the marks they have made over the centuries it seems empty, somehow less significant.

 

 

Bearing Witness

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 We approached on one of those single-track roads that are so narrow and obscure you can’t quite believe they are public. The next leg of our journey was squelching along a boggy footpath, flanked on one side by steep woodland with lofty oaks and thickets of holly, and on the other flat estuarine pastures squared off with stone walls. Mossy old oaks and twisted thorns and crabs – a few hard, green apples still clinging to the leafless branches – lined the path, suggesting it had been here for a long time. We had been tipped off about this place and it felt like a secret.

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Our view opened out onto the side of the estuary: coffee coloured water swirling slowly towards the sea; on the opposite bank chrome yellow birches flared like burning torches amongst the quiet russet of the oaks. Under our feet the tightly grazed riverbank gave way to a long straight quay built from rough-hewn blocks of stone. It was this we had come to see. Nowadays the river is shallow and ribbed with banks of silt but 150 years ago the Dwyryd was navigable and a flotilla of small boats tied up here. They came to carry the slate from the great quarries above Blaenau Ffestiniog and Croesor – North Wales was roofing most of the world back then. Before the railway came slate was brought down to the coast by horse and cart and loaded on to the little boats, which sailed out to ocean-going ships off Porthmadog, for onward transport to the developing and cities of Europe and North America. All that is long gone now but this forgotten quay is a reminder of those busy and more prosperous times.

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The quay is cut every ten yards or so with flights of steps down to the water at each loading point: many boats must have moored here at busy times. Along the top of the quay are rough stone posts three or four feet high – capstans for tying up the boats. On one of the steps my grandson, Nils, finds otter prints in the skim of sand left by the tide, and better still, near the top of the steps, there are several spraints (droppings). Some naturalists say these have a distinctive smell like jasmine tea, which is helpful for identification, and today, for the first time, I get it – the musty/peppery scent does smell like some kind of exotic tea. Pottering along the quayside I am struck by the quiet details of nature: lichen encrusting the stones in yellow and grey patches; three tiny fungi quivering in the breeze, their tops turned up like bottle caps; ivy flowers covering a fallen hawthorn attract a smudge of small flies to their late nectar. There is a deep sense of harmony between this old industrial site and its natural surroundings. In its day I suppose it would have seemed modern, even brutal, but now, disused and forgotten, it seems to enhance this lovely estuary.

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All of this is beautifully caught in an exhibition of art works by Marged Pendrell at Plas Brondanw, which is not far from here. The exhibition is called ‘Flotilla’; its centrepiece a host of little boats, which specifically reference the trade in sea-going slate. The works are made from found objects and materials including slate, copper, lead, wood, sand and peat – the very ‘stuff’ of North Wales. Marged has a refined sense of the interplay between natural and man-made elements, combined with a magpie’s eye for collecting and rearranging natural objects so that they become more than the sum of their parts – metaphors for life’s processes. The whole exhibition chimed with the sense of ‘rightness’ that I had at the quayside. Even Plas Brondanw itself is an exercise in unexpected harmony, its turquoise and gold wrought-iron complementing beautifully, if counter intuitively, the backdrop of the mountains.

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I accept that such things are a matter of perception and taste but perhaps it is the ‘job’ of humankind to strive to give voice, in whatever way we can, to the beauty and intricate complexity of the world we are born into. Looked at from a whole-earth, Gaia perspective we are the ‘component’ that has the reasoning, imagination and language which enables the planet to see its self in the mirror and glory in what is. As the German philosopher Friedrich Schelling put it: “uniquely in us, nature opens her eyes and sees she exists”.

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For exhibition details: http://www.susanwilliamsellis.org